【PS4】The Last Guardian

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发表于 2012-6-12 07:27 AM |只看该作者 |正序浏览

本帖最后由 kirassss 于 2015-6-17 08:45 PM 编辑

Coming Soon On 2016

即将来临

Sony：THE LAST GUARDIAN 仍在开发适时公布消息
　　尽管索尼并没有在本届E3中展出《最后的守护者》，但是根据索尼给出的消息，游戏制作团队仍在有条不紊的进行着游戏开发。

早期曝光图片：

　　每当记者向吉田修平问到《最后的守护者》有关消息时，他守口如瓶不透露任何有关游戏的消息，但是他总是会说到游戏还在继续进行开发。“我们的团队仍在努力的工作着，在一个合适的时间我们会给大家一个新的消息。”记者开玩笑的问到：“你们是打算推出这款游戏的吧?”吉田修平便笑着答道：“这是肯定的。”

　　《最后的守护者》已经错过了去年的TGS和本届的E3展会了，有关游戏的细节仍然是个迷，哪怕有一点新的消息对玩家们来说已经算是个安慰了。

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发表于 2018-9-12 06:09 PM |只看该作者

本帖最后由 kirassss 于 2018-9-12 06:54 PM 编辑

Fumito Ueda’s next project underway, rivals the scale of previous titles
《最后的守护者|食人巨鹰 TRICO》上田文人表示新作在做了尚处在尝试阶段看画面还要等等
转载 - A9VG（http://www.a9vg.com/news/201809/3273120990.html）

　　以《ICO》《旺达与巨像》《食人巨鹰 TRICO》等作品闻名的游戏制作人上田文人在本周Fami通杂志中接受了采访，就他的新作品谈及了一些内容。以下为根据文字速报整理的要点内容：

·新的企划正在进行各种尝试，也就是将想到的点子实际做一些试试看看是否有意思。
·接受 KOWLOON NIGHTS 的支援是因为这次目标的作品规模比较大，没有一个大组织支撑很难实现。
·这次的新作不是一个独立游戏，最终想要做成跟《ICO》《旺达与巨像》《食人巨鹰 TRICO》同等的规模。
·首先大致有个概念，在初期阶段获得KOWLOON NIGHTS的支援。然后根据状况找一个发行商合作扩大开发体制，大概是这样。
·新企划是一个完全的新作，不是某个作品的续篇。要能看到游戏画面截图估计还要等上一段时间。

The next project from Ico, Shadow of the Colossus, and The Last Guardian creator Fumito Ueda and his genDesign studio is currently underway and will rival the scale of his previous works, the latest issue of Weekly Famitsu reveals.

Here are the tidbits from Weekly Famitsu’s interview with Ueda:

• “We’re in a stage of various trials. This stage we’re in, where we’re actually making our ideas to test if they’re interesting or not, is being supported by Kowloon Nights (a game fund), so we’re proceeding with prototyping.”
• “We’re working out the core parts first, and from there we’ll make it into a stable product. That’ss our challenge this time.”
• “What we’re making now doesn’t feel like an indie game. We’re ultimately aiming for something on the scale of Ico, Shadow of the Colossus, and The Last Guardian.”
• “If larger-scale development becomes of interest to us, then I think we will significantly expand our development system and take it to a large-scale development team to make it a big game.”、
• “This will be a completely new title, not a sequel.”

(Editor’s Note: The image above was posted on the genDesign website on January 2 underneath the company’s New Year 2018 message.

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本帖最后由 kirassss 于 2018-3-16 07:47 PM 编辑

PS4《最后的守护者|食人巨鹰 TRICO》获得日本第21次文化厅媒体艺术节大奖

　　索尼互动娱乐环球工作室（SIE WWS）日本工作室制作，预定 2016 年 12 月 6 日同步推出动作冒险游戏《食人巨鹰 TRICO（人喰いの大鹫トリコ）》获得了第21次日本文化厅媒体艺术节娱乐部门的大奖，为纪念获奖索尼也特地公布了一个获奖纪念视频，其中还有上田文人留给玩家们的信息。

上田文人留言：

　　这个游戏的概念是在游戏中设计一个仿佛真的有生命的AI角色，在本作中就是大鹫Trico。在游戏中玩家要与Trico一起合作，直到游戏最后的结局。在开发时我们以实际存在的动物（比如狗、猫与鸟）为原型来设计Trico的动作，一些喜欢这些小动物的玩家说不定也会因此产生兴趣，这也是让它感觉起来更真实的最好的办法。

　　与其说比谁都要更快玩通关、或者比谁玩的都好，我更希望能让玩家产生希望每周末或者每天晚上都进入游戏世界去见Trico的心情。

　　《食人巨鹰 TRICO》是一手打造《迷雾古城》、《汪达与巨像》等独特风格游戏而广受业界肯定的上田文人领军制作的新作，游戏中玩家扮演被神秘势力绑架到神秘遗迹的小男孩，在遗迹中遇见似兽又似鸟的神秘巨大生物「TRICO」并与之交心，一人一兽将合作闯荡遗迹对抗敌人。

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发表于 2017-12-9 01:42 PM |只看该作者

本帖最后由 kirassss 于 2017-12-9 02:28 PM 编辑

The Last Guardian PlayStation VR demo coming on December 12
《食人巨鹰 VR》12 月 12 日免费释出体验毛茸茸近距离互动
转载 - 巴哈姆特（https://gnn.gamer.com.tw/5/156355.html）

　　美国索尼互动娱乐（SIEA）于今（9）日在美国举办年度玩家活动「PlayStation Experience 2017」开幕主题发表会，会中宣布《食人巨鹰 TRICO（The Last Guardian）》将推出 PS VR 体验互动内容，并于 12 月 12 日开放免费下载。

　　要游玩这款《食人巨鹰 VR》不需要预先购买本篇游戏，只要准备好 PS VR 设备即可免费下载体验。在这个 VR 体验当中准备了一道关卡，全程约 15 至 20 分钟。玩家可以呼唤食人巨鹰「TRICO」一起冒险，毛茸茸的近距离互动将是体验的重点之一。

Sony Interactive Entertainment will release a free PlayStation VR demo of The Last Guardian for PlayStation VR on December 12, the company announced at the PlayStation Experience 2017 opening celebration.

The special virtual reality experience will place players in perspective of the boy as he interacts with Trico. It is a short, 10 to 15-minute experience, as well as a standalone release from The Last Guardian (meaning you do not need to own a copy of the game to play it). It also works with the Dualshock 4 controller.

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发表于 2016-12-4 05:57 AM |只看该作者

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发表于 2016-12-1 07:55 PM |只看该作者

《最后的守护者|食人巨鹰 TRICO》硬盘空间仅需15GB 实体版遭曝光！

　　《食人巨鹰 TRICO（The Last Guardian）》终于结束了漫长的跳票过程，将在本月 6 号正式与玩家们见面。游戏目前已经对国外媒体放出了媒体评测版，相关的实体版也即将正式上架。但在近日游戏的实体版疑似已经被国外玩家拿到。

　　在相关的推特中这位玩家展示了游戏实体版的包装盒的背面，并在相关的推文中指出，游戏只需要15 GB的存储空间。同时游戏的这个包装盒上并没有标注 PS4 Pro 的字样，表明游戏的 PS4 Pro 版的升级包可以需要在游戏发售才能上线。

　　目前以上相关的消息并没有官方正式的确认。《食人巨鹰 TRICO》将在本月 6 号正式在PS4 平台上发售。

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发表于 2016-12-1 07:19 AM |只看该作者

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发表于 2016-11-30 06:52 PM |只看该作者

《最后的守护者|食人巨鹰 TRICO》上田文人寄语：结局不容错过

　　在经历了多年的制作和多次延期之后，食人巨鹰 TRICO也终于快要和我们见面。而在游戏发售前游戏总监上田文人却有话要对粉丝们说，他也提及了游戏曲折的开发过程。

　　上田文人把食人巨鹰 TRICO开发过程视为一段“十分独特的经历”，同时他希望玩家们在玩游戏时还能注意到里面的美景。除此之外，他还希望粉丝们能够玩完这款游戏，因为最后游戏将有一个不容错过的结局。

　　上田文人还提到，他本打算从《Ico》和《旺达与巨像》汲取经验，制作出一款同样优秀的作品。但不幸的是，在制作途中遇到了许多问题，以至于没人想到它会耗费这么多时间和精力。《Ico》和《旺达与巨像》都是十分独特的游戏，而食人巨鹰 TRICO也是这样。最后上田文人还期待玩家能享受到一段令人愉悦的游戏体验。

　　想一想食人巨鹰 TRICO的开发过程的确十分曲折，游戏最初是在E3 2009上公布出来，当时宣布的平台为PS3，而之后就没有其他消息了，不少人认为此项目已经被遗弃。再后来上田文人离开了索尼，但他表示仍会继续开发这款游戏。随后在去年的E3 2015上，食人巨鹰 TRICO再次亮相，索尼正式宣布游戏将登陆PS4平台，发售时间为今年10月25日。然而，事情并没有结束，游戏再次跳票到了12月6日。整个过程一共耗费了9年时间，现在游戏终将发售，相信无论对于粉丝还是制作团队来说都是一种解脱吧。

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本帖最后由 kirassss 于 2016-11-28 06:19 PM 编辑

PS4《最后的守护者|食人巨鹰 TRICO》公布玩法与内容详细介绍影片男孩与异兽结伴的壮阔冒险

　　索尼互动娱乐环球工作室（SIE WWS）日本工作室制作，预定 12 月 6 日同步推出繁体中文版的 PS4 动作冒险游戏《食人巨鹰 TRICO（人喰いの大鹫トリコ）》，25 日公布了详细介绍玩法与内容的介绍影片，供玩家参考。

　　《食人巨鹰 TRICO》是一手打造《迷雾古城》、《汪达与巨像》等独特风格游戏而广受业界肯定的上田文人领军制作的新作，游戏中玩家扮演被神秘势力绑架到神秘遗迹的小男孩，在遗迹中遇见似兽又似鸟的神秘巨大生物「TRICO」并与之交心，一人一兽将合作闯荡遗迹对抗敌人。

　　在本次的影片中，详细介绍了小男孩与 TRICO 从初次邂逅的陌生与不信任，到后来成为交心伙伴共同冒险的经历，包括如何操作小男孩行动，如何与 TRICO 建立友好关系，如何指挥 TRICO 行动，如何彼此搭配突破地形与机关等险阻，TRICO 如何扫荡威胁小男孩的敌人等。

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发表于 2016-11-24 07:34 AM |只看该作者

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发表于 2016-11-18 06:13 PM |只看该作者

本帖最后由 kirassss 于 2016-11-19 07:34 AM 编辑

The Last Guardian: New CG Trailer, Q&A

With the PS4 launch of The Last Guardian just weeks away, take a gander at our new CG trailer that debuted in US theaters this week.

Last week I spoke with celebrated creative director Fumito Ueda about his personal inspirations, the connections between The Last Guardian and Shadow of the Colossus, and how to expand the influence of the videogame medium. Read on for highlights from our conversation!

• On realizing the full initial vision for The Last Guardian:

“I’m going to be little hard on myself here… but to say I’ve done everything 100% is not completely true. As a creator, there’s always a little more you feel you could have done. When I finished Ico and Shadow of the Colossus, I felt exactly the same way. Having said that, I think the staff from Sony and Gendesign has put everything, every ounce of energy we had, and poured it into the project.”

• On the personal inspirations behind The Last Guardian:

“Trico is a hybrid of sorts, a mixture of a cat, a dog, a bird, and the like. It might represent a motif. When I was younger, I grew up in a home that had a bunch of animals. My experiences with them are great memories that I still have. In creating Trico, I didn’t really have to do any specific research because it’s a creature that obviously doesn’t exist. But it’s really all based on my childhood memories, the way I interacted with the animals, the way they reacted to me.”

• On comparisons to Ico and Shadow of the Colossus:

“The way I see it, maybe they are from the same world, or the same universe. But anything further than that is really up to the player’s imagination. Everyone has a different level of relationship with the two previous titles, so we wouldn’t dictate that it is or it isn’t. It’s up to the player.”

• On his proudest accomplishment with The Last Guardian:

“I would have to say that it’s what we were able to accomplish with the character of Trico. Its behavior, everything about it. We were basically breathing life into a creature that has never been created, a new character, which is very difficult. How does it feel to actually feed Trico? I want players to experience what that feels like.”

• On other gaming inspirations:

“There are some games that have opened my eyes and influenced me in big ways. Prince of Persia is one, and Another World. This may come as a surprise, but Virtua Fighter is another… What they all have in common is the intricacy of the animation. I’m always curious in finding ways that animation can help breathe new life into characters — that’s an element that will always appeal to me.”

• On expanding the appeal of videogames:

“It’s a difficult question to answer, but I think that maybe a lower barrier to entry or skill required. And I’m not saying that games need to be easy or casual or anything like that. But when you think about the origin of video games, arcade games, you put in 100 yen and you got to play for maybe three minutes. There’s basically an end, or a restriction, that is placed. Sometimes that can be a little intimidating.”

“On console games, there’s no need to put a time limit or game over screen — we want people to play longer. But again, whether it’s skill requirements, or continuous challenges until you feel like giving up… if they felt slightly more accessible, then maybe more people would enjoy playing video games. Having said that, as long as we define what we do as video games in this business, then the experience needs to be very unique [to that medium]. Striking that balance is not an easy task.”

• On the long-anticipated launch of The Last Guardian:

“It’s quite simple… at the end of playing through the game, if the player feels the existence of Trico, like it’s really there, then we have accomplished what we set out to do.”

Sid Shuman - Director, SIEA Social Media

blog.us.playstation.com